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Evan doesn’t ever seem cocky enough to earn the karmic payback he gets, and Genesis and Bel’s abuse of him feels like some twisted spin on female separatism - one that, unsurprisingly, involves tiny outfits and lots of (straight) sex. Tell us your zip and how sunny your space is (or isnt) and we’ll get to work prepping your awesome arrangements. His range does not extend to “misogynist rage.”īesides, there’s no satisfying vengeance to be had here. Knock Knock Plants Here Make each season a little bit sunnier with perfectly designed seasonal arrangements delivered right to your front door.
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His torment by Genesis (Izzo) and Bel (de Armas) eventually sees him screaming “You crazy bitches!” like some descendant of the mouth-frothing truck driver in “Thelma and Louise.” And Reeves just isn’t that guy he’s the king of low-key zen, even when he’s dealing out revenge (as in “John Wick”). Reeves, an understandable choice after his turn in gory action thriller “John Wick,” is the wrong man for this job. After “Funny Games” and all its imitators, this one just doesn’t mine very innovative territory - though, mercifully, it also doesn’t go all-out on the extreme violence, as Roth is wont to do. Roth is remaking the 1977 exploitation flick “Death Game,” and though his version is taut and brisk, its plot - a regular schmuck trapped in the house with two unhinged captors - feels overly familiar. The car comes and goes, as do Evan’s protestations against the women’s overtures, and he wakes to find he’s gotten more than the illicit night he bargained for. The titular rap on the door comes from two scantily clad women (Lorenza Izzo, Ana de Armas) drenched from the rain and claiming to be lost - but who, soon enough, get Evan to show off his DJing skills and let them dry their wet clothes while they wait for an Uber.
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Keanu Reeves stars as Evan, an architect working at home while his artist wife (Ignacia Allamand) and kids are vacationing. Men are pigs! Women are psychos! One-percenters have it coming! Pick your moral in this nasty, single-setting thriller that’s ultimately quite tame by the standards of torture-porn director Eli Roth (“The Green Inferno”).